SOLD OUT: The Wood Brothers – Tickets – Crystal Ballroom – Portland, OR – March 10th, 2017

SOLD OUT: The Wood Brothers

True West Presents at the Crystal:

SOLD OUT: The Wood Brothers

Shook Twins

Friday, March 10th, 2017

Doors: 7:00 pm / Show: 8:00 pm

Crystal Ballroom

Portland, OR

$23 ADV/$25 DOS

This event is 21 and over

The Wood Brothers
The Wood Brothers
The cover of The Wood Brothers' gorgeous new album, 'Paradise,' is adorned with an illustration of a mule staring at a carrot dangling just inches in front of its mouth. The carrot, though, is hanging from a stick affixed to the mule's own head. "In some ways, he's already got it," explains guitarist Oliver Wood. "And in some ways,
he'll never have it." That paradox is at the core of 'Paradise,' an album about longing and desire and the ways in which the pursuit of fulfillment can keep it perpetually out of our reach. It's a beautiful collection, the band's most sophisticated work to date and also their most rocking, with bassist Chris Wood playing electric on tracks for the first time. Recorded at Dan Auerbach's Easy Eye studio in Nashville, 'Paradise' captures the latest chapter in
the ongoing evolution of a band—and a family—navigating the joy and challenges of a life in music.

Dubbed "masters of soulful folk" by Paste, The Wood Brothers released their debut studio album, 'Ways Not To Lose,' on Blue Note in 2006. You'd be forgiven at the time for expecting it to be something of a side project. Chris Wood already had legions of
devoted fans for his incomparable work as one-third of Medeski Martin & Wood, while his brother Oliver toured with Tinsley Ellis before releasing a half-dozen albums with his band King Johnson. Almost a decade later and with drummer Jano Rix added as a
permanent third member, it's become quite clear that The Wood Brothers is indeed the main act.
'Paradise' follows the band's acclaimed 2013 release 'The Muse,' which was recorded almost entirely live around a tree of microphones in Zac Brown's Southern Ground studio. Hailed previously by the New York Times for their "gripping" vocals and by the LA Times for their "taught musicianship," the brothers found the live setting to be a remarkable showcase for their live chemistry and charismatic magnetism. But when it came time to record 'Paradise,' their fifth studio album, the band knew the music
called for a different approach.
"For this album, we wanted to have a more up-close and dry sound," explains Chris. "I worked on another record at Easy Eye and I just loved the room. Dan's studio is cool because it's not old, but it feels that way when you walk into it. It reminds me of Sun
Studios. It just has that feeling of a small room with natural compression, and I think you hear that in the sounds on the record."

The decision to record in Nashville was no coincidence either, as this marks the first album written with the entire band living in Music City. "Oliver and I spent a lot of hours just in a room together writing songs," says Chris. "That's really never happened before. All the music in the past was written long distance or over the course of touring. It's definitely the most collaborative album
we've ever made."
"It was kind of a luxury to be able to play together not just at a soundcheck," adds Jano. "It was a different starting point. Rather than people bringing in compositions that were relatively finished, we were starting from the ground up as a group."

The album opens with "Singing To Strangers," which sets the tone for what's to come both musically and thematically.
"Singing to strangers is something we do every night," explains Oliver, "and there's some satisfaction about singing to strangers. It's this weird thing that I think we get addicted to. It's not that we need attention as much as we need connection. On a good
night, when we're singing to strangers, everybody in the room bonds, and you have this amazing sense of connection."
That desire for connection permeates the album, from "Touch Of Your Hand"—a song about what Chris describes as "the most basic human need that there is"—to "Two Places"—a track about longing for home and family while on the road—to "Never And
Always," which examines the fundamental emotional experiences of loneliness and belonging. "Snake Eyes" and "American Heartache" both explore the dark side of longing, how the constant need for more in our consumer culture can engender a perpetual dissatisfaction with never having enough, while on "Without Desire," they find the beauty and the magic that the titular emotion can bring into our lives.
"Desire gets a bad rap sometimes," explains Chris, "and people think it’s the root of all of our problems. We wanted a song that said, 'Maybe it's not, maybe we need it.' What would it be like if we didn’t desire all those good things in life?"

In addition to Chris's electric bass, which appears on two tracks, the album also showcases Jano's "shuitar," a portmanteau for "shitty guitar." The name belies the instrument's complexity, though. It's actually an acoustic guitar that Jano has rigged
up with noisemakers to function as an easy-to-travel-with drum kit.
"I made one in The Wood Brothers because we needed a portable drum set we could take to play on sessions and on the radio," he explains, "but then we've been using it so much live, we started writing for it and not wanting it to even sound like a drum set
anymore. We wanted to let it be its own thing."
It turns up prominently on "Heartbreak Lullaby," which also features guitar playing from Oliver inspired by field recordings of African folk musicians. There's more to Jano than percussion, though, as he sits down at the piano on several tracks on 'Paradise,'
including album closer "River Of Sin."
"That song imagines how when people get baptized in a river, it's supposed to wash away their sins," explains Chris. "But what happens to the water? Where do the sins go?
And what if you live downstream from all that baptizing?"
"A lot of the songs are dealing with these themes of longing and desire," adds Oliver,
"but the album finishes with 'River of Sin' because it's a positive and empowering message, which is that you can't really do anything unless you're persistent. The narrator is humble and understands that there are all these things larger than him and
he's just trying to understand them and he's determined to do better and be as good as he can. And he recognizes the only way to do that is to keep trying."
It's a fitting, lovely, gospel-tinged ending to an album that traces both the darkness and the beauty in our nature, the perpetual hope and the futility of it all. The quest for the carrot often blinds us to the fact that we already possess it, and that's the irony of desire.
"He who is not contented with what he has would not be contented with what he would like to have.” Socrates said that.
"I can't live without desire / If I didn’t want anything / Why would I rise? / Why would I sing?" The Wood Brothers said that.
Shook Twins
Shook Twins
“I love the harmonies of the Shook Twins, the dreamlike songs that seem somehow permeated by the American Folk tradition, without actually being part of it. They make music that twines through your soul the way vines cover an abandoned shack in the woods.” – Neil Gaiman, New York Times – Best-Selling Author

Born and raised in Sandpoint Idaho, Shook Twins are an Indie folk-pop band now hailing from coniferous forested Portland, Oregon. Identical twins, Katelyn and Laurie Shook, Kyle Volkman and Niko Daoussis form the core quartet. Central elements of the Shook Twins’ sound are a wide range of instrumentation, including banjo, guitar, electric and upright bass, mandolin, electric guitar, electronic drums, face drum (beatbox), glockenspiel, ukulele, banjo drumming and their signature golden EGG. Beautiful twin harmonies, layered upon acoustic and electric instrumentation coupled with Laurie’s inventive use of percussive and ambient vocal loops, and Katelyn’s repurposed telephone microphone, set their sound apart, creating a unique and eccentric blend of folk, roots, groove and soul.

The twins are the main songwriters but they have recently started backing up their band members, Niko Daoussis (Cyber Camel) and Anna Tivel (Anna and the Underbelly) and adding their stunning songs to the mix.

Each Shook Twins song tells a story, distinctive, sharp, genuine, and well – sometimes quirky. Drawing from their life experience, select subjects include, being potters’ daughters, imagined superpowers and a chicken named ‘Rose’ they befriended. Shook Twins also pull out unexpected takes on classic hits, retellings of their musician friends’ songs, heartfelt ballads and rhythm driven dance numbers. Story-of-the-Egg-w

After releasing their first album “You Can Have the Rest,” the twin sisters moved to Portland in December of 2009, conceptualizing their 2011 release “Window” (featuring Bonnie Paine and Bridget Law of Elephant Revival).Both albums were recorded and produced in Santa Cruz, California, at InDigital Studios. Favorable reviews, extensive radio airplay and a busy tour schedule have created an ever growing fanbase & kudos from many major musicians.

Shook Twins and their full band, including Niko (mandolin, electric guitar,vocals), Kyle (bass), Anna Tivel (violin,vocals), and Russ Kleiner (drum kit, percussion), recently finished recording their third album with Grammy nominated producer Ryan Hadlock at Bear Creek Studios as well as partnering and recording an album, with fellow Portland musician Ben Darwish on his epic concept piece, “The Clear Blue Pearl.” Shook Twins have shared the stage with artists including: Ryan Adams, David Grisman, Mason Jennings, Blizten Trapper, Carolina Chocolate Drops, Sarah Jarosz, Laura Veirs, The FruitBats, Jonatha Brooke, JJ Grey and MoFro, The Indigo Girls, Crooked Still, Jason Webley, The BoDeans, Elephant Revival, The Head and The Heart, The Lumineers and many more. Eclectic, amusing and whimsical, Shook Twins’ laid-back and fun stage presence draws the listener in, allowing them to take the audience away on the adventure that is their live show.

“The Portland, Ore., folk group is ready to rattle the music world with its ‘What We Do’ album.” – USA Today

“The Shook Twins have sass and spunk to spare! Their live show is tons of fun to behold.” – Laura Veirs

“The Shooks will Shake you. These ladies have been keepin’ it real since the day they were born and that was only seconds apart from one another I think. Do yourself a favor and check ’em out. I do declare, ya won’t be sorry.” – Langhorne Slim

“The Shook Twins put on a heck of a show. Keep your eyes on these folks. I’m excited to hear what they do next.” – Tucker Martine

“A unique, personal music that lights up the stage with its joy and enthusiasm.” – Mason Jennings